**Hideki Kimura**, a prominent Japanese artist known for his vibrant and dynamic murals that blend traditional Japanese motifs with a modern, urban sensibility. Born in Kyoto in 1942, Kimura is often referred to as "Ki-Yan," a nickname that has become synonymous with his artistic identity. He is celebrated for his work as a muralist and painter, bringing a rock-and-roll energy to his art that reflects his early career as a music producer during Japan's rock黎明期 (reimei-ki, or "dawn period") in the 1960s and 70s. Kimura transitioned to visual art later in life, picking up the brush after turning 60 in 2002, which marks him as an artist with an unconventional trajectory. His works often feature bold, colorful depictions of traditional Japanese subjects like koi fish, peonies, peacocks, and other natural elements, rendered in a style that feels both timeless and contemporary. These pieces are frequently painted directly onto public spaces—walls, ceilings, and even commercial venues—making him a significant figure in Japan's street art scene, though his work leans more toward commissioned murals than unsanctioned graffiti. Notable examples of his street art include large-scale murals at places like the Kyoto City Zoo, baseball stadiums, restaurants, and commercial facilities, as well as the fusuma (sliding doors) at Shoren-in Temple’s Kadokaku-den in Kyoto. His art is characterized by its rhythmic, almost musical flow, a nod to his rock background, and a vivid palette that makes his pieces stand out in urban environments. Through his brand "Ki-Yan Stuzio," he also extends his designs into pop art goods, broadening his reach beyond physical spaces. Kimura’s approach to street art aligns with a broader trend in Japan where public art often exists in a sanctioned, decorative capacity rather than the rebellious, underground style seen in Western graffiti cultures. His work embodies a fusion of tradition and modernity, appealing to both local and international audiences who encounter his murals in everyday settings.